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At
the crest of the ramp my spirit sinks. This reminds me of an episode
of "Leave it to Beaver" where Stinky has a crush on the
same girl all through high school, finally working up the nerve
to ask her out, and then the morning of the senior prom, our hero
wakes up with the measles. My dream date is a gleaming Ghezzi &
Brian Supertwin, a bike I've had an itch to try for almost two years
but California's Highway 1 is jammed and I'm sitting on a thoroughbred
that has no place to run. Where's Ward Cleaver when you need him?
Bidding
farewell to my mates in the Moto-Euro traveling sideshow (a 40-foot
motor home stocked with enough goodies to sustain the infantry),
I fall in behind a group of center-liners all sharing a common destination:
Superbike Weekend at Laguna Seca. I'm more than a bit pensive. Although
I've split plenty of traffic in my day, doing so on somebody else's
ultra-rare Italian sport bike is a bit like juggling the Queen's
best crystal. Once clear, I gas the Ghezzi hard and then remember
owner Mike Holst's warning to "take it a bit easy" on
his brand new 28km engine. Still, I make my way past the group effortlessly
gunning down a loaded FJ1200 with a short blast in second and third.
Spotting an
interesting side road, I exit and quickly realize I've made an excellent
choice. Rolling green hills greet us as we glide and burble around
slow to medium speed sweepers. I've only been on the Ghezzi for
30 minutes but I'm hooked, totally smitten, and utterly seduced.
Stopping for gas in Seaside, a crowd gathers to look over the black
beauty while I answer questions and pump high-test. This scenario
would repeat itself every time I parked it.
Seven issues
into the production of Moto-Euro Magazine, we have made it an editorial
point to include at least one Moto Guzzi feature in each. Why? Certainly,
many in our subscriber base counts a Guzzi as (at least) one of
their machines. The out-pouring of emotion from those inflicted
with "Mandello Madness" means we've tapped into an enthusiast
group filled with rich tradition and genuine devotion to their chosen
steed.
Giuseppe
Ghezzi counts himself among that group of loyalists, his love of
Moto Guzzi and its venerable V-Twin engine clearly evident in his
creation. Time spent with his tweaked Tonti-framed Le Mans inspired
the young engineer so naturally the engine from that bike was transferred
to a chassis of his own design and fabrication. The result astounded
many by winning the 1996 Italian SuperTwin Championship.
Reacting to
demand for a street going version, the Supertwin made its debut
at the 1999 Milan Show, drawing rave reviews. By then Ghezzi, assistant
Riccardo Teruzzi, and Bruno "Brian" Saturno (established
as both the primary investor and manager) were busy preparing the
bike for release. "Racing is the soul of the Supertwin"
reads their statement; "Within this machine the true spirit
of a championship racer exists, showcasing the legendary Moto Guzzi
engine."
The
use of its old school power plant not withstanding, the Supertwin
is a very modern and technically advanced motorcycle, but one with
a surprisingly simple design formula. The alloy V-twin is hung beneath
a square-section steel mono-beam attached just above the alternator,
running in a straight path between the cylinders to the swingarm
pivot. The design is similar to Guzzi's spine frame system, which
incorporates
large alloy side plates that serve as the swingarm pivot. But the
design differs in several important areas. First, the Ghezzi frame
features a built-in airbox that ingeniously doubles as an additional
side brace. Secondly, the square-section swingarm sandwiches the
frame side-plates inside and out, and rides on ball bearings. A
matching cross brace welded to the top of the swingarm -increasing
its rigidity- holds a threaded ride height adjuster, connected to
the rising rate linkage acting on the Bitubo rear shock.
Again, like
the modern sporting models from Mandello, the Ghezzi features a
Parallelogram anti dive/lift device. Fitted with floating helm joints
at each end, the bar holds the chassis down when the throttle is
applied and the drive shaft gear tries to "climb" up the
pinion, lifting the machine through its suspension. With this system,
the rod works against the floating rear drive box on acceleration,
then holding it when the throttle is dropped. Throughout this process,
the suspension is able to react to road conditions. It works.
Up
front the fully adjustable Paioli 41mm USD fork is mated to a 3.5"
x 17" hollow-spoke Marchesini rim, with a matching 4.5"
x 17" unit mated to the differential. It's impossible to overlook
the massive 420mm, perimeter front rotors, developed for G&B
by the Italian firm Braking in conjunction with Marchesini. These
are squeezed by a pair of polished alloy four-piston Braking calipers
with a drilled 240mm rotor at the rear.
Moto Guzzi chief
Ivano Beggio calls the air-cooled, 90-degree pushrod V-twin "an
immortal engine." Well into its fourth decade of production,
it's hard to argue that. I'd heard
several rumors leading me to believe additional performance work
was performed by G&B prior to installation. "Not true"
reports Arnold Barnhart, Manager of Cyclone Motorsports the exclusive
importer of Ghezzi & Brian Motorcycles into the US. "The
engine is stock, except for a slight re-mapping of the ECU, the
Tubi-Style exhaust and some additional flywheel work. At $15,500,
the Supertwin is an exceptional value considering it is basically
a handmade racing motorcycle for the street. Additional performance
bits would drive costs to unacceptable levels."
Power
isn't a problem. Rated at 97 BHP the Ghezzi feels significantly
faster and quicker than either the V11 Sport or Le Mans, despite
sharing the same 1064cc engine. At 427 pounds the Supertwin is nearly
100 pounds lighter, making evident the use of every millimeter of
available frame space. Like everything on the Ghezzi & Brian,
the shapely one piece tank/seat/tail section is light and lean,
connecting to what looks like a cut down 1100 Sport faring.
This is one
motorcycle that truly optimizes "form after function"
One example is the location of the battery, fitted near the headstock
for ideal weight distribution: 51% front 49% rear. Unfortunate,
but not tragic, is the deletion of the V11's six-speed transmission.
Coinciding with the introduction of the new gearbox was the development
of the Ghezzi chassis. When G&B was informed the new gearbox
would not be available the frame was designed around the five speed.
The factory later recanted, but re-tooling was not possible. The
Ghezzi suffers little, with plenty of torque for the wider ratios.
Still, the inclusion of the six speed would makes a great bike ever
greater.
Swing
a leg over and you'll notice the Supertwin is very compact, offering
an easy reach to the clip-ons, the rear-set's high and tucked in.
Ghezzi & Brain are justifiably proud of the Supertwin's handling,
encouraging riders to drive the bike high and deep to fully appreciate
its capabilities. Just a nick over 55" between the axles, the
Supertwin nonetheless remains rock steady through high-speed bends,
still offering easy push-ability to change direction. Credit the
rigidity of the Ghezzi frame, the dialed in fork/shock dampening
and quality Dunlop tires. After some acclimation, I ran the Supertwin
hard through set of curves north of the track in Monterey, thrilling
in the stability and poise of the machine. No hobby-horsing, wiggling
or weaving here, just the sensation of being utterly planted to
the asphalt.
The lusty V-Twin
rumbles a deep bass at idle, transforming from Italian baritone
to wailing high tenor when the throttle is pinned. Glorious. Despite
its race bike pedigree the bike fits well, the seat/bar/peg equation
seemingly tailored just for me, allowing easy movement from side
to side and needing little body English to change direction. The
Ghezzi blends to your input, braking without drama (or standing
up) in corners, and remaining stable through downshifts. I'll go
on record and say my time on the Ghezzi & Brian Supertwin was
the most enjoyable experience I've had on two wheels in a very long
time: A satisfying mixture of balance, soul and beauty.
Thanks
to Mike Holst, who handed us the key to his beautiful black Ghezzi
for three full days. Alas, Mike did return to claim his prize thus
dashing my slim hopes of a takeover. Holst, who also owns a V11
Sport and other interesting iron claims his deep affection for the
V-Twin engine design put him on the hunt for a "really responsive"
sporting version. "I nearly bought a Buell X1, then I saw the
Ghezzi. I would have had to put more money into the Buell than the
Supertwin, and it still wouldn't be as exclusive or powerful. Next
to something like a Hellcat Confederate ($30K) the G&B is a
steal."
Sipping coffee
at a roadside café early on a beautiful Northern California
morning, I carefully study the Supertwin looking for flaws or bad
angles and find neither. Finished with obvious -almost obsessive-
care, its black paint is deep, smooth and free of orange peel. The
machine is clearly and un-mistakenly Italian. Brutal, thanks to
those massive front brake rotors and the huge alloy jugs that dominate
its profile, yet graceful, causing your eyes to follow an invisible
line that starts at the faring and ends at the tapered tail cloaking
dual stainless cans.
Later
that night I find a rare open spot on Canary Row and back the throbbing
black beast into it. Before I can get my helmet off a crowd gathers,
throwing out compliments and asking questions. Impressive, because
if you've ever been there when they close that street down, you
know the caliber of machines that can be present. Enjoying my brief
celebrity status, I return two hours later and find the Supertwin
is still surrounded. The crowd thins as I don my riding gear, except
for two older gentleman who want to hear the bike run. Both are
Italian but one doesn't speak English. I delay my departure, allowing
the two a good look at the Ghezzi. "Sexy! Sexy!" They
both repeat, laughing. Finally, after shaking hands we bid each
other farewell and I light the Supertwin, filling the street with
music. I drop the bike into gear when the Italian-speaking fellow
leans in close, almost shouting over the rumble. "Questa macchina
rappresenta l'anima, la passione allineare dell'Italia ." "What
did he say?" I ask his friend. "He said: "This machine
represents the soul and the passion of Italy." I couldn't have
said it better myself.
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